Showing posts with label cliches. Show all posts
Showing posts with label cliches. Show all posts

Thursday, July 28, 2011

Quotes That Stand the Test of Time


How so many writers throughout history have been able to pen words that endure through the years always fills me with awe, especially when they pack a lot of ageless wisdom into those words.

So, whenever I see a quote I like, I add it to my "angel" book, noting the date and the individual who laced those words together so well. Eventually, I'll collate them all into a small collection, note why I like them and take it to Staples and have it made into a spiral book for family members—my way to keep those wonderful quotes alive and share what I love with those I love.

When I was writing a recent blog, "A world without childhood?" the expression, "youth is wasted on the young," came to mind. While I didn't use it in my posting, I keep wondering: Is it a quote or a cliché? Or a quote that became a cliché? Sayings sometimes seem to have a way of doing that—said so often that time seems to wear them down like the tires on a farm truck. It wasn't in my book of clichés, so once again, I turned to Google, the place where you can find almost anything except a clean pair of underwear.

When the page came up, I was surprised to see George Bernard Shaw (1856-1950) coined that expression. My curiosity piqued, I searched through some of his other quotes. Definitely found some that belong in my quote book. But what truly amazed me was how relevant they are today. Consider these quotes:

On Politics
  • "A government that robs Peter to pay Paul can always depend on the support of Paul." Whatever side of the political fight over what our country should do or not do regarding tax cuts/increases and the nation's debt crisis, this quote would certainly describe the views of some of our politicians, don't you think?
  • "An election is a moral horror, as bad as a battle except for the blood; a mud bath for every soul concerned in it." It seems to me whenever any politician appears to rise in the polls, some hint of scandal or incapacitating illness surfaces. Like Michelle Bachmann's migraines. She wouldn't ever be my choice, but would a migraine really preclude her ability to be president? Pundits predict the 2012 election will be the worst negative campaign in the history of our country.
  • "An asylum for the sane would be empty in America." Do I need to add any comment to this quote?
On life
  • "Don't waste your youth on growing up." This hits home today especially when I see little girls sporting Madonna like outfits and eye make up, or little girls playing with breast feeding dolls. Childhood needs to be a time to be a child. Otherwise, George Bernard Shaw's other quote, "Youth is wasted on the young," becomes sad but true.
  • "We don't stop playing because we grow old; we grow old because we stop playing." So, whatever your age, be silly! Dance in the kitchen or join a flash mob, perform at an Open Mic, sing in a karaoke bar, wear whatever you like no matter how much you hate your flabby arms. As my grandson, John says, "take a risk."
  • "I want to be all used up when I die." This quote is perhaps my favorite of all. Such a lovely sentiment—to have done everything you've wanted to do, to have lived life fully with no regrets, to have loved unconditionally, loved long and hard.. Yes, I definitely want to be all used up when I die.
Facts about George Bernard Shaw:
  1. He won the Nobel Prize for literature in 1925.
  2. For seven years, he wrote five unsuccessful novels.
  3. He was a socialist.
  4. He supported women's rights and wrote about them in 1891.
  5. His last play, Why She Would Not, was completed on July 23, 1950, three days before his ninety-fourth birthday.
  6. One of his most famous plays was Pygmalion.
For more information about this great playwright, visit these sites.
Bernard: A Brief Biography
http://www.biography.com/articles/George-Bernard-Shaw-9480925"
http://www.notablebiographies.com/Sc-St/Shaw-George-Bernard.html

Wednesday, April 28, 2010

Every Cliché has a Silver Lining


After several months away in sunny Florida, I looked at my office with fresh eyes and decided to sort through my bookcase. Deciding which books to donate and which to keep is always a hard choice for me. Books are for me what shoes are to my eldest daughter. Still, I vowed, this time, I would be ruthless. I grabbed a paperback entitled, "The Dictionary of Cliches, Over 2,000 entries," off the top shelf. Easy, I thought, this is one easy choice since not using clichés has always been emphasized in writing courses, writers' magazines and my writers' groups. As writers, we're challenged, instead, to new ways of saying things rather than lazily using clichés.

Still, I was curious. After all, the author, James Rogers, had found clichés noteworthy enough to collect and publish them in dictionary form. I opened the book. Generally, Rogers agreed, clichés are fairly considered overworked and banal ways of expression. But, he asserts, "clichés can serve as the lubricant of language: summing up a point or a situation, easing a transition in thought, adding a seasoning of humor to a discourse."
I continued to read and quickly became immersed in the whole concept of what makes a cliché a cliché, where they originated, and how, if used wisely, they might actually enhance my writing. Here's some of what I learned.

What is a cliché? A cliché is language that's lost its originality, been overused over time, or a new phrase that's been repeated too often. All we have to do is watch the news and hear phrases like "connect the dots," or "at the end of the day," to know it isn't not only old phrases like "butter wouldn't melt in her mouth" (first coined in 1546) or "footloose and fancy free" (first uttered by Will Shakespeare in A Midsummer Night's Dream) that qualify as worn-out expressions.

Origin of clichés. When I began reading the entries, I couldn't stop. Many, I found, were Biblical in nature ("Makes your hair stand on end, Job 4:13-14), while others were from great literature and poetry ("A horse of a different color," Twelfth Night – Shakespeare, once again). Here's a sampling of where some others began.
A-OK: Coined by a NASA official in 1961 to indicate that the mission was going well.
Between you and me and the lamppost: The first recorded use was by Charles Dickens (Nicholas Nickleby,1839). 
Cried all the way to the bank: Liberace used this phrase in his 1973 autobiography.
Don't look a gift horse in the mouth: A Latin version of this expression appeared in a work by St. Jerome in A.D. 420.
Throw the baby out with the bath water: Used more than once by George Bernard Shaw. One example was in 1909 (Pen Portraits and Reviews).

When to use clichés. Like Rogers, I believe there are instances where clichés are appropriate and can actually help move your story forward or help catch the reader's attention.

As titles. Consider the cliché "time to kill." John Grisham put that cliché to good use in his book, A Time to Kill. or, "saving grace," as evidenced by Julie Garwood's bestseller, Saving Grace, as well as, Burden of Proof (Scott Turow) and Stone Cold and True Blue, both by David Baldacci, one of my personal favorite mystery writers.

As a title with a twist. The title of this blog, for example, uses a cliché with a twist by substituting "cloud" with the word "cliché." This works especially well, I think, in an opinion humor piece. A title can also be twisted by substituting a synonym for one of the words in a cliché. Something like "Beyond the pail," or "make head or tale of it," or "the American weigh." I haven't written any of these articles, but I can picture the first as a woman with morning sickness, a compulsive liar as the second, or a look at obesity in the third, a really heavy (excuse the pun, please) topic right now. Another example is Jodi Picoult's book, "My Sister's Keeper," altered from the original cliché, "my brother's keeper."

As a way to make a point with as few words as possible. The columnist, George Will, for example, wrote an article in which he said the Chicago Cubs fans support their team "through thin and thin." In fiction, a term like "Trojan horse" can encompass an entire concept that could require several paragraphs to explain that could distract from the main fiber of the story.

As a tool to show minor characters without a lot of verbiage. Letting a minor character use some clichés can help develop a personality without a lot of description.

As a marker of a particular era. Allowing a minor character to use a phrase like "the cat's meow," helps the reader to visualize the 1920's.

Caution: It takes some skill to know "when to hold them and when to fold them," clichés, that is. For example, while they can help "flesh out" minor characters, allowing main characters to do the same creates a stereotypical, flat character, so avoid that "like the plague." So, "when in doubt, leave them out," or run them by your writers' group. For now, I'm going to put my cliché dictionary back on the shelf. It's earned a spot in my reference library.